Any theory of information needs to comply with what we call the implementation, formalization, and representation constraints. These constraints are justified by basic considerations concerning scientific modelling and methodology. In the first part of this paper, we argue that the implementation and formalization constraints cannot be satisfied because the relation between Shannon information and IIT must be clarified. In the second part of the paper, we focus on the representation constraint. We argue that IIT cannot succeed in satisfying this constraint (...) for semantic contents without offering models for concepts, conceptual roles, and context sensitivity. In the final part of the paper, further complications are raised with respect to the distinction between consciousness and attention, which apply more specifically to the representation constraint. We conclude with some recommendations as to how IIT may succeed in solving these problems, highlighting the advantages and enormous potential of IIT as a scientific theory. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Dostoevsky, Girard, LevinasApocalyptic Frenzy and Eschatological Ethics in Dostoevsky's DevilsJ. A. Jackson (bio)In his interview with René Girard, Benoît Chantre connects the mimetic theory of René Girard with the ethics of Emmanuel Levinas, observing, "It is in the confrontation with otherness that the individual acquires self-consciousness. The self has no meaning except in the relationship, even when the relationship takes the form of a duel. Can we not say, (...) following Levinas, that only experience of war can allow us to think about reconciliation?" Girard concurs and expands: "According to what you have said, Levinas saw the duel, like love, as an escape from totality that we absolutely need. However, it is in this sense that it explodes totality…. By affirming that the duel is already the relationship to the Other, it shows that the relationship sits at the heart of violent reciprocity."1 How fitting that a discussion regarding the thought of Girard and Levinas should center at some point on the duel, an act of violence, of course, and yet an event also pregnant with ethical implications, as rivals must respond face-to-face. Perhaps we should not be so surprised that our two thinkers should fashion the duel as both a temptation to murder and the command "Thou shalt [End Page 227] not murder"; both men have a deep love and sense of indebtedness to the Russian novelist Fyodor Dostoevsky, a man in whose works the duel—both literal and relational—often plays a crucial narrative, and penitential, role.As the conversation between Chantre and Girard reveals, the pairing of Girard and Levinas seems wholly natural and still much underappreciated.2 Dostoevsky seems to be a natural interlocutor, as one cannot help but feel Dostoevsky's hyperbolic excessiveness coursing through the works of both Girard and Levinas. To read Dostoevsky now, thanks to Girard, one cannot help but be dazzled by Dostoevsky's genius regarding mimetic desire and modern man's underground psychology, the very foundations for Girard's notion of the Apocalyptic. To read Levinas means having the notion of infinite responsibility illumined by Dostoevsky's beautiful religious meditations, where previously one may have only seen Dostoevsky's relishing the idea of the impossible, a mixture of monastic asceticism, Karamozovan passion, and Dostoevsky's own romantic proclivities.3 In this essay, I wish to pursue a reading of Dostoevsky's Devils with Girard's thoughts on apocalypticism and mimetic frenzy—with its inherent focus on the human "political" community—on one side. This is, in turn, partnered with Levinas's sense of the eschatological as an anarchic response to history and politics, with ethics being prior to both politics and history. Most importantly, however, I want to offer my own reading of Dostoevsky and investigate his own position inside of this exchange. To this end, alongside Levinas's idea of eschatology, especially as spelled out in Totality and Infinity, and Girard's often understated, yet very-much-present notion of positive mimesis (love), I also investigate Dostoevsky's notion of kenosis, a key idea in Dostoevsky's anthropology, psychology, and theology.René Girard has always maintained that he did not invent his mimetic theory—that he simply needed only to listen to what great authors like Cervantes, Dante, Shakespeare, Proust, and, especially, Dostoevsky had to say about desire. Indeed, Dostoevsky maintains a central position in Girard's first book, Deceit, Desire and the Novel, and is his only subject matter in Resurrection from the Underground. The connection between Girard and Dostoevsky became even more profound for Girard: "When I wrote the last chapter of my first book, I had a vague idea of what I would do, but as the chapter took form I realized I was undergoing my own version of the experience I was describing. I was particularly attracted to the Christian elements, for example, Stepan Verkhovensky's final journeys and turn to the Gospel before his death. So I began to read the Gospels and the rest of the bible. And I turned into a Christian."4 One can find in much of Girard's meditations on Dostoevsky the seeds of so many [End Page 228] of his... (shrink)

Basado enteramente en pruebas internas, este estudio se propone mostrar que el manuscrito único del Dīwān de Ibn Quzmān, publicado en edición facsímil por David de Gunzburg en 1896, es una copia dictada. Se indica también que el copista, a quien con frecuencia se ha culpado de introducir en el texto popular andaluz correcciones o clasicismos, no estaba bien equipado para desempeñar tal papel. Si bien era un calígrafo de primera categoría, se aducen pruebas de que su conocimiento del árabe (...) no estaba a la altura de la calidad de su caligrafía. El estudio muestra que él fue el responsable de una amplia gama de problemas textuales que ha dejado perplejos a sucesivos editores del Dīwān. En marcado contraste, se muestra que Ibn Quzmān poseía un dominio magistral de la lengua árabe y de las tradiciones-árabes clásicas. Al parecer también había adquirido un alto grado de 'aculturación' en la lengua romance. Además de ofrecer las pruebas en que se basan estos asertos, el estudio constituye un ejemplo ilustrativo de cómo estas pruebas pueden ayudar a una mejor lectura e interpretación del Dīwān de Ibn Quzmān. (shrink)

This article discusses a number of metaphors about the nature of science, in connection with three types of metaphysical realism: minimal, moderate and essentialistic realism. From the beginning, Kuipers accepts the first and rejects the third type of realism, but it is only later on that he endorses the second type. It is argued that this makes his remarks on essentialistic realism somewhat misleading; and his moderate realism is compared with some realist positions taken by other philosophers. It is further (...) argued that the metaphors of the mirror, the net and the map correspond to essentialistic, minimal and moderate realism, respectively. This explains why the map metaphor is by far the most suitable one in the context of Kuipers' theory of science. This does not imply, however, that it is the (only) true one and that the others are false. (shrink)